he Kid (Chaplin, 1920) Can you analyze how Chaplin uses editing and other cinematic devices (cinematography and mise-en-scene) to foreground the rhythms of drama and comedy
he Kid (Chaplin, 1920) Can you analyze how Chaplin uses editing and other cinematic devices (cinematography and mise-en-scene) to foreground the rhythms of drama and comedy
The Kid (Chaplin, 1920) Can you analyze how Chaplin uses editing and other cinematic devices (cinematography and mise-en-scene) to foreground the rhythms of drama and comedy?