At an upcoming New York Conference on art history, the issue of ˜Feminism meets the Big Exhibition’ will be discussed Panel chair: Hilary Robinson, Carnegie Mellon University). Robinson identifies a series of recent ˜blockbuster’ exhibitions of women artists work as a topical, renewed iteration of feminist art and curatorial strategies (Tokyo 2005; Bilbao 2007; LA 2007; NY 2007; Paris 2009; Arnhem 2009; Vienna/Warsaw 2009; Rome 2010; Reykjavik 2010). In Australia, we saw the 2012 blockbuster Contemporary Australia: Women at Brisbane’s Gallery of Modern Art (GoMA) promotes younger artists. A Different Temporality: Aspects of Australian Feminist Art Practice 1975-1985 at Monash University in Melbourne focused on the ˜anti-essentialist 80s’ generation (2011). The Baker’s Dozen at the University of Technology, Sydney Gallery (2012) is deliberately intergenerational.