Contempary debates in film theory Explain and discuss the ways in which the work of Carol Clover challenges psychoanalytic paradigms of audience identification and narrative construction. Assess whether the challenge forms a convincing refutation of the psychoanalytic models in relation to ONE film text. Reading Carol Clover, ˜Her Body, Himself’ (p21-64) in Men, Women and Chainsaws: Gender in the Modern Horror Film, Princeton University Press, 1992. Further Reading: Carol Clover, ˜Getting Even’ (p114-165) in Men, Women and Chainsaws: Gender in the Modern Horror Film, Princeton University Press, 1992.