Critically assess the proposition that illegal downloading is destroying the music industry.

THE INTERACTION BETWEEN GESTALT PSYCHOLOGY AND BEHAVIORISM
August 7, 2017
Color Theory, Color Perception, or Color Management
August 7, 2017
Show all

Critically assess the proposition that illegal downloading is destroying the music industry.

Critically assess the proposition that illegal downloading is destroying the music industry.
would like a traditional essay please. (Introduction. 4 – 5 strong points. conclusion.)

couple notes on question topic to use as points:

Chris Rojek: Pop Music, Pop Culture (2011) (this book is very important to the topic question please could you build a strong point including Chris Rojek’s view)

Hilderbrand, Lucas. “Youtube: Where Cultural Memory and Copyright Converge.” Film Quarterly, Vol. 61, No.1 (Fall 2007), pg. 48-57

Other very useful material:
Longhurst, chapter 2 (pp. 74-84) and chapter 4 (on rap pp. 136-49).

David, Matthew (2010) Peer to Peer and the Music Industry: The Criminalization of Sharing. London: Sage – Chapter 2: The Global Network Society: Territorialization and Deterritorialization

Bourdieu, Pierre (1993) The Field of Cultural Production. Cambridge: Polity. Chapter 1: The Field of Cultural Production, or: The Economic World Reversed; pp. 27-73.

Castells, Manuel (2000) ‘Materials for an exploratory theory of the network society’, in British Journal of Sociology, 51 (1): 5-24.

Collins, Harry and Pinch, Trevor (1998) The Golem at Large: What you should know about technology. Cambridge: Cambridge University Press. Especially chapter one – ‘A clean kill’.

Deleuze, Gilles (1992) ‘Postscript on the Societies of Control’, in October, 59 (Winter): 3-7.

Frith, Simon (1990) Facing the Music. London: Mandarin.

Hutchby, Ian (2001) Conversation and Technology. Cambridge: Polity.

Katz, Mark (2004) Capturing Sound: How technology has changed music. Berkeley: University of California Press.

Marshall, Lee (2005) Bootlegging; Romanticism and Copyright in the Music Industry. London: Sage.

Martin, Peter (1995) Sound and Society: Themes in the Sociology of Music. Manchester: Manchester University Press.

May, Christopher (2002) The Information Society: a sceptical view. Cambridge: Polity.

Thererge, Paul (1997) Any Sound You Can Imagine: Making music/consuming technology. Wesleyan University Press: Hanover


Leave a Reply

Your email address will not be published. Required fields are marked *